In season 1, Covarrubias achieved this look with a parade of flashy colors imbued in soft textures: yellow faux fur, paint-splattered denim, rainbow knits, pink feathers, crimson vinyl, and white shearling. This way, the character could be both intriguing and safely anonymous. She decided Mabel’s style should be immediately eye-catching, enough that it would draw a double-take on the streets of Manhattan, but not so dramatic that it’d invite further inquiry. Back off.’” Balancing these two competing motivations-settling Gomez in reality, while elevating Mabel’s own mien-gave the designer an intriguing challenge. “So she’s using these really bright colors in the same way as an animal with a brightly colored coat: ‘Beware. “Her whole concept was basically that her costumes were a type of armor,” Covarrubias says. ![]() That trauma motivates her search for victim Tim Kono’s killer throughout the show’s first season, Bunny’s in the second, and now Ben’s in the third. The character shoulders a heavy burden, a sense of secrecy that works as a warning beacon for anyone approaching. But such an approach wouldn’t have been true to Mabel, either. Slap her in a baseball cap and a tote bag. The solution might have seemed straightforward: Ease back on Gomez’s signature style, perhaps drape her in dull hues or pedestrian basics. “The main concern when looking at the costumes would be, ‘How do we bring Selena Gomez, this icon, into this world and have her physically standing next to Steve and Marty and not look super weird?’” Covarrubias told prior to season 1. Most importantly, Mabel would need to mesh well with her troupe of amateur criminologists, rounded out by two older white men: The affable Steve Martin (playing veteran actor Charles Haden-Savage) and kooky Martin Short (playing theater director Oliver Putman). She would, of course, be Gomez, but she couldn’t pull viewers from the show’s universe. The pop icon-who had not appeared as a series regular on a television show since her time on Disney’s Wizards of Waverly Place more than a decade ago-would be playing Mabel, a young, vaguely unknowable woman with a biting wit and a penchant for true crime. ![]() For Hulu’s murder-mystery comedy Only Murders in the Building, costume designer Dana Covarrubias was gifted an arguably impossible task: Make an audience forget Selena Gomez is Selena Gomez.
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